Erlend Loe: Doppler; Production: Trøndelag Teater, Trondheim (Norwegen), 2016 – for reeds, oboe, cor anglais, ocarina’s, tuba, double bass, bass guitar, ukulele, piano, percussion and  elektronic. Director: Tomi Janežič.

Anton Pavlovich Chekhov: Seagull; production of the Serbian National Theatre in Novi Sad, 2012 – for singers, flute/piccolo, oboe, trompet, double bass, percussion and piano. Director: Tomi Janežič.

Uglješa Šajtinac: Banat; production of the Yugoslav Drama Theatre, 2007 – for oboe, English horn, violin, cello and piano. Director: Dejan Mijač. (CD ‘Illuminations’)

Thomas Bernhard: Heldenplatz; production of the “Atelje 212” Theatre in Belgrade, 2006 – for string quartet and piano. Director: Dejan Mijač. (CD ‘Illuminations’)

Anton Pavlovich Chekhov: Three Sisters; production of the National Theatre in Belgrade, 2006 – for violin and piano. Director: Vida Ognjenović.

Peter Shaffer: Amadeus; production of Croatian National Theatre “Ivan pl. Zajc”, Rijeka (Croatia), 2006 – for soprano and harpsichord. Director: Tomi Janežič.

Biljana Srbljanović: Locusts; production of the Yugoslav Drama Theatre, 2005 – for soprano and electronic. Director: Dejan Mijač.

William Shakespeare: King Lear; production of the “Atelje 212” Theatre in Belgrade, 2005 – for prepared piano. Director: Tomi Janežič. (CD ‘Illuminations’)

Slobodan Šnajder: The Bride of the Wind; production of the National Theatre in Belgrade, 2003 – for female voice, English horn, violoncello, double bass and keyboards. Director: Boris Miljković. (CD ‘Illuminations’)

Martin Crimp: The Country; production of the National Theatre in Belgrade, 2002 – for electronic. (CD ‘Illuminations’)

Ljubomir Simović: The Miracle in Schargan; production of the “Atelje 212” Theatre in Belgrade, 2002 – for piano, percussion and chamber orchestra. Director: Dejan Mijač.
(CD ‘Illuminations’)

Vida Ognjenović: Mileva Einstein; production of the National Theatre in Belgrade, 2001 – for flute, clarinet, violin, viola, double bass and piano. Director: Vida Ognjenović.
(CD ‘Illuminations’)

William Shakespeare: The Tempest; production of the City Theatre Budva Festival (Montenegro), 2001 – for flute, clarinet, trumpet, soprano voice, violin, violoncello, double bass, keyboards and percussions. Director: Slobodan Unkovski. (CD ‘Illuminations’)

Hugo Betti: The Crime on the Goat Island; production of the City Theatre Budva Festival, Montenegro, 2001 – for electronic. Director: Nebojša Bradić.

Miroslav Krleža: Leda; production of the “Atelje 212” Theatre in Belgrade, 2001 – for violin, soprano and alto saxophone, trumpet, piano, drums and double bass. Director: Dejan Mijač.
(CD ‘Illuminations’)

Vida Ognjenović: Jegor’s Road; production of the City Theatre Budva Festival (Montenegro), 2000 – for flute, clarinet, violin, viola, piano and double bass

Jean Paul Sartre: Dirty Hands; production of the Yugoslav Drama Theatre, 2000 – for trumpet, piano, violin, viola and violoncello

Radoslav Pavlović: Eleven Weeks; production of the Yugoslav Drama Theatre, 2000 – techno music

Franz Xaver Kroetz: The Impuls; production of the “Atelje 212” Theatre in Belgrade, 2000 – techno music

Anton Pavlovich Chekhov: The Cherry Orchard; production of the Yugoslav Drama Theatre, 2000 – for piano and string quartet (CD ‘Illuminations’)

Alexander Dumas / Stevan Koprivica: The Three Musketeers; production of the “Boško Buha” Theatre in Belgrade, 1999 – for flute, trumpet, violin, guitar, piano, female voice, double bass and percussion (CD ‘Illuminations’)

Miodrag Karadžić: You Just Go and We Will Croak and Howl; production of the Belgrade Dramatic Theatre, 1999 – for violin, accordion, clarinet, piano and double bass

Ivo Andrić / Nebojša Bradić: The Damned Yard; production of the National Theatre in Kruševac, 1999 – for female voice, mixed choir, flute, clarinet, violin, piano and double bass

Mirjana Bobić Mojsilović: Tears Are O.K.; production of the National Theatre in Belgrade, 1999 – for female voice, alto saxophone, violin, piano and double bass (CD ‘Illuminations’)

Ljubivoje Ršumović: Emperor Trayan Had Goat’s Ears; production of the “Boško Buha” Theatre in Belgrade, 1999 – for female voice, female and mixed choir, pipes, violin, flute, piano, double bass and percussion (CD ‘Illuminations’)

Maksim Gorky: The Philistines; production of the Belgrade Drama Theatre, 1998 – for string quartet

Molière: The School for Women; production of the Montenegro National Theatre, Pogrorica (Montenegro), 1998 – for male voice, violin, clarinet, bass clarinet, piano and double bass (CD ‘Illuminations’)

Georg Büchner: Leonce and Lena; co production of the City Theatre Budva Festival (Montenegro) and the Yugoslav Drama Theatre, 1998 – for soprano voice, flute, oboe, viola, piano, double bass, tubular bells and tom-toms (CD ‘Illuminations’)

Jeremy Brack: Oliver Twist; production of the “Boško Buha” Theatre in Belgrade, 1998 – for violin, clarinet, E flat clarinet, bass clarinet, piano and double bass

Arthur Miller: All My Sons; production of the Belgrade Drama Theatre, 1998 – for piano and string quartet

Goran Marković: Speech Impediment; production of the National Theatre in Belgrade, 1997 – for trumpet, piano, double bass and drums

Richard Brinsley Sheridan: The Rivals; production of the Belgrade Drama Theatre, 1997 – for violin, piano, bassoon and double bass

Berthold Brecht: A Man Is A Man; production of the Belgrade Drama Theatre, 1996 – for violin, alto saxophone, guitar, accordion, piano, drums and double bass

Agatha Christie: The Mousetrap; production of the Belgrade Drama Theatre, 1995 – for violin, alto saxophone and piano (CD ‘Illuminations’)

Frank Wedekind: Spring’s Awakening; production of the National Theatre in Kragujevac, 1990 – for electronic

Dusan Kovačević: Hilarious Tragedy; production of the National Theatre in Šabac, 1989 – for electronic

Dusan Kovačević: The Professional; production of the National Theatre in Šabac, 1989 – for electronic

Dubravka Ugrešić: Life is a Fairy Tale; production of the Student Cultural Centre, Belgrade, 1987 – for electronic

How I was stolen by the Germans, directed by Miloš Radivojević, 2010 – for cello and piano

Don’t Know When or How or Where, documentary directed by Želimir Gvardiol, 1993 – for violin, alto saxophone, piano and double bass

Big Small Graduation, directed by Mina Stanojević, 1990 – for female and male voices, electric guitar, piano and drums

Maria Like You, directed by Mina Stojanović, 1986 – for female voice, electric guitar, piano and drums

Orchestration for musical scores composed by Goran Bregović (1995-1997):

The Serpent’s Kiss, directed by Philippe Rousselot, 1997

Underground, directed by Emir Kusturica, 1995

Queen Margot, directed by Patrice Chéreau, 1994

Arizona Dream, directed by Emir Kusturica, 1993

Time of the Gypsies, directed by Emir Kusturica, 1988